The substance thinks and transforms itself. It becomes the mirror of a movement, of who we are and who we are becoming.

As a sculptural practice in continual evolution, it extends the symbolic language that runs throughout Fanny’s work. Through physical matter, earth, texture, almost flesh — she opens a space of reflection that touches intimacy, sensuality, and sensitivity.

In her sculptural pieces, Fanny seeks to question our own paradoxes: what we feel and how we express it, what rises to the surface and what we hold back.